龍袍臭弟仔｜2018陝西洛南戶外壁畫創作記

2018 年，來自台灣街頭的角色—臭弟仔，踏上了一段跨越千里的旅程，來到中國陝西洛南。面對一整面藍色外牆與滿天星斗，我試著在陌生的土地上，留下最真實的自己。

這幅壁畫的主角「臭弟仔」身穿金黃龍袍、倒立凝視世界，象徵著我當時的內心狀態——顛倒、不安、想逃離，卻又渴望重新理解這個世界。我想透過這幅畫向自己提問：

「如果換個角度看世界，是不是就能找到更多的理解與寬容？」

創作過程中，我將情緒、疲憊與思考，一層層疊進色彩與線條裡。牆面不僅是圖像的載體，也是我與當地文化、人們與記憶之間的連結。臭弟仔在這裡，不只是角色，更是一座橋，將我與遠方的土地緊緊串聯。

那段旅途，是一次關於放下與修補的練習；那片星空，提醒我在最陌生的地方，也要抬頭仰望、記得自己最初的模樣。

媒材技法｜戶外牆面噴漆

創作地點｜中國陝西洛南《Natural World 自然界2.0》

 

In 2018, I embarked on a journey across thousands of kilometers with my Taiwanese street art character—Lil’ Stinky—to Luonan, Shaanxi, China. Standing before a vast blue wall under a star-filled sky, I sought to leave my truest self in an unfamiliar land.

In this mural, Lil’ Stinky wears a golden dragon robe and gazes at the world upside-down—a reflection of my inner state at the time: inverted, uneasy, longing to escape, yet yearning to understand the world anew. Through this painting, I asked myself:

“If I change my perspective, could I find more understanding and tolerance?”

During the creative process, I layered my emotions, exhaustion, and reflections into colors and lines. The wall became more than a surface for images—it became a connection between myself, the local culture, the people, the memories, and a distant version of who I was. Here, Lil’ Stinky is not merely a character, but a bridge linking me to a faraway land.

That journey was a practice in letting go and mending. And that starry night reminded me that, even in the most unfamiliar of places, I must keep looking up—and remember my original self.

Medium & Technique｜Outdoor wall spray paint

Location｜Luonan, Shaanxi, China – “Natural World 2.0”